On July 3, Craig and I held the first of two events to celebrate the printing of the second edition of Art Space Tokyo.
Kisato Kusano, the owner of the renowned On Sundays bookstore in the basement of the Watari Museum of Contemporary Art (one of the 12 spaces featured in the book) generously offered us the chance to use the space so we could bring in a big bad crowd of book lovers for an evening of free beer, wine and sake.
Thank you to everyone who came! It was great to see you out in force!
Photos by Xin Tahara and Ashley Rawlings.
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Left: The stunning exterior of the Watari Museum.
Right: Kusano-san laying out copies of Art Space Tokyo.
The On Sundays bookstore quickly filled up with supporters.
AST editor Ashley Rawlings talking to Megumi Matsubara from the Tokyo-based architectural office “Assistant.”
Kisato Kusano, the owner of On Sundays book store.
AST co-author, designer and publisher Craig Mod gives a speech about the Kickstarter fundraising that made this second edition a reality.
Naoki Matsuyama and Lena Oishi, who helped with the translation of Art Space Tokyo.
Those of you who followed our Kickstarter.com fundraising campaign in April saw that we ended up climbing to a sum much higher than our original goal of $15,000.
To our amazement, we hit the $15,000 mark after only two weeks, and pledges continued to pour in over the remaining three weeks of the fundraising period.
On May 1, we reached an astonishing total of $23,790, which is allowing us to go ahead with a full second print-run, as well as develop the iPad version.
We are profoundly grateful the 265 backers who made this possible.
Over the past month, Craig and I have been mailing each other back and forth, fixing up a few missteps in the original, and polishing the book’s editorial and design.
The 2010 edition of Art Space Tokyo is at the printers right now and will be with you soon…
Wow! We have reached our goal of $15,000 in only 16 days!
Craig and I are bowled over by the enthusiasm that people have shown for the Kickstarter project since the page went live on March 29.
We want to extend a HUGE THANK YOU to all of you who have pledged. Your enthusiasm and backing mean a great deal to us.
The project doesn’t close until May 1, so there’s still a chance to join us!
All additional funding we receive will be invested in expanding the second print run, developing an iPad version of the book with supplementary content, and potentially starting work on guides to art scenes in other cities around the world.
If you haven’t already, please join us!
Art Space Tokyo will be back on the shelves, in your hands, and on your iPad soon!
The book’s original print-run of 1,500 copies has been sold out for more than a year. If you’re one of our loyal followers who is frustrated not to have gotten hold of a copy, then this is your chance.
Demand has remained very high, so we bought back the copyright and are reprinting it ourselves, also with plans to develop an iPad version.
We have set up an Art Space Tokyo Kickstarter page, where you can pre-order your copy of the new edition.
Even though this page has only been up for less than a week, and Craig and I haven’t even sent out a mass e-mail about it yet, the response has been incredible.
Just by posting news of the reprint on Facebook and Twitter, as well as some coverage on a couple of popular blogs, we have already raised over $5,000!
This is an experiment in community-funded publishing. If we cannot secure $15,000 in pre-orders by May 1st, printing will not go ahead and you will not be charged. You’re only charged if we raise enough interest and reach our minimum goal.
We hope you’re as excited about this as we are, and that you will continue to give your support to Art Space Tokyo.
This is running a little late maybe, but Happy New Year!
Where to in 2010?
The Art Space Tokyo blog was less dynamic in 2009 than I would have liked. My move from Tokyo to New York in January last year meant that I’ve had to run it as a bit of a skeleton service since then. I haven’t had the time to post weekly updates on art in Tokyo, so the best I could do was to keep compiling the monthly round-ups of links to exhibition reviews, artist interviews and feature articles.
These long lists of links may not be the most exciting things to receive on your RSS feed, but I think that in the long term this archiving of the main sources of information on the Tokyo art scene is a useful project, and one that isn’t being undertaken anywhere else.
In any case, Craig and I are working on new developments for AST in 2010, details of which we will bring to you over the next couple of months.
Until then, thank you for keeping your eye on AST, and please stay tuned for more!
Apple Store, SOHO, Manhattan: Wednesday, October 8th, 6:30 - 8:00pm
Just a quick note to let you know I’ll be speaking about the design and production (among other things) of Art Space Tokyo at the Apple Store in SOHO this coming Wednesday (Oct. 8th, 2008) evening.
I’ll be talking about books, design, the creative process, finding time to work on passion projects and other topics, all within the context of living in Tokyo.
It’s a free event and should be quite interesting—pop by if you’re in the ‘hood!
A big thank you to all who attended our event last week at Kinokuniya in NYC! It’s hard to believe a week has already passed since our official US launch of Art Space Tokyo. Turnout was better than expected. All seats were full and people were snaking around the back of the room and into the adjacent cafe. A large contingency of the New York art world, designers, artists and others interested in Japanese culture were in attendance.
It wouldn’t have been a success without the great panel we had that night: comprised of Roland Kelts (Japanamerica), Reiko Tomii and Kosuke Fujitaka (NY/Tokyo Art Beat). I’ve been to many a talk with panels than grossly ran over on time, had little focus or just sounded like a bunch of people talking over one another. In stark contrast to that, I think we were able to achieve a focused and concise look at the Tokyo art world. And Reiko even managed to plunge historical contexts in reference to the contemporary. Thanks to the diversity of the panelists, those in attendance got to hear three very different, but equally informed voices. Truly a special event that wouldn’t have been possible without the kindness of John Fuller at Kinokuniya for lending the space and equipment.
So this marks a somewhat sad moment for us here — with this event we officially complete the conception, production and launching of Art Space Tokyo. It’s strange, after working on something for so long and so hard, having planned these events months in advance, to finally arrive at the ‘finish line’ (so to speak) feels very much like having completed a mental (and very much physical) marathon. And as anyone who has trained for an finished a marathon knows, there’s a tinge of sadness in the triumph of achieving your goal.
Of course we’ll still be blogging about the Tokyo art world here, and we’ll be putting on more events and speaking at more bookshops. But the ‘official’ timetable, the schedule we had been working off for the past year or so, is done. Thank you all who helped make this book a success thus far! We look forward to seeing where this project leads us next.
SCAI is located in one of my personal favorite areas of Tokyo. Yanaka is in all the guidebooks but it’s often overlooked in favor of the glitz of Shibuya or the moral dubiosity of Shinjuku.
Yanaka is a romantic’s Tokyo: low lying, temple filled, spiritual, wooden, old, textured, musty, comfortable, friendly, slow, delicious ... these are some words you could use to describe the area. Mainly, I love the excellent Japanese food (100+ year old senbei shops and superb soba) and the easy going mood. Visiting for a few hours is like a tonic to the rat race of the rest of the city. Many a great day can be had in the Yanaka area if you’re simply looking to whittle away a sunny afternoon. And SCAI, sitting in the middle of it all, is a great stop along the way.
Don’t forget to grab the PDF map.
From September 15th until October 1st, Kinokuniya at Bryant Park, Manhattan, will be hosting a small exhibition of Art Space Tokyo illustrator Takahashi Nobumasa’s work.
Above is an image of the preparations in the secret back offices of Kinokuniya, which, despite being located in the heart of New York City, instantly transports you into a Japanese Office Space—otsukaresamadeshita and all.
Of course, this is in preparation for our big launch event / contemporary art symposium being held next Tuesday, the 23rd from 6:00pm. If you’re in the city, be sure to stop by—it should be a blast. We’ll have some of Takahashi’s prints and tenugui on sale. We’ll also have a healthy supply of books, so those looking to pick up their copy and get it signed shall be satiated.
Details:
Location: Kinokuniya Bryant Park (40th Street and 6th Ave, Manhattan. Closest station: 42nd street Bryant Park)
Dates: From September 15th to October 1st
Craig and I were at the Brooklyn Book Festival all day yesterday, thankful that our stand was just in the shade of some very tall trees on an unusually hot day for New York.
It was great to meet fans of Chin Music Press and it was particularly rewarding to witness first hand so many people discovering Art Space Tokyo and the rest of CMP’s publications… there was unanimous praise for the quality of production! We’re looking forward to seeing many of you join us for the talk at Kinokuniya on the 23rd.
As Craig previously announced, last week we were guest bloggers for Powell’s Books. You can read our posts for Monday, Tuesday, Wednesday, Thursday and Friday.
This is just a quick list of Art Space Tokyo related events Ashley and I are participating in this September:
We’re very much looking forward to connecting with all you US based book and art lovers. Don’t be shy—feel free to stop by and pick our brains.
In just a few days Ashley and I are off to New York to promote Art Space Tokyo, but more on that later!
This is just a quick post to alert kind readers to the new art map for Gallery Koyanagi just posted, this very moment.
Like most of its peers in Ginza, Gallery Koyanagi is located in a typical, nondescript office building. However, as the elevator doors open on the eighth floor, a sleek, discreetly lit cavern of contemporary art stretches out before you. You are about to step into one of the largest commercial gallery spaces in Tokyo. This is the consummate white cube, and Gallery Koyanagi wears this look better than any other art space in the city.
A little overdue, but our latest Art Space Tokyo art map is now up!
Nakaochiai Gallery, nestled in a small crook of mid-west Tokyo is one of our book’s most residential spaces. As always, don’t forget to download the high-res PDF version of the map.
We’ve also gone and added Nobumasa Takahashi’s drawings of the art space exteriors to all previous entries.
In related book news, we’re finalizing our September US release New York events and will be posting more information on those soon!
What’s that you hear? I believe a new art map is hot off the presses. Download the map file right away, or tuck away the map link for later perusal.
Art Space Tokyo describes Tokyo Gallery + BTAP thusly:
Tokyo Gallery was founded in 1950 by Takashi Yamamoto, the man largely responsible for introducing contemporary art to Japan. As Japan’s first commercial contemporary art gallery, Tokyo Gallery has been at the center of the Tokyo art world for several decades and has continuously exhibited groundbreaking works by Japanese, Asian and Western artists.
Almost everyone knows Ginza but I would venture to say few know this seminal gallery. Tucked away in a back alley near Shinbashi, Tokyo Gallery + BTAP straddles one of those void-like interspaces long time residents of Tokyo know well. To the east lies all the shopping and glamour Ginza has built its reputation on. To the north, a gaggle of upscale hostess clubs; to the west Shinbashi and the Nagakin Capsule Tower, and deep to the south, Tsukiji.
Latest exhibition information and schedules can be found on the Tokyo Gallery + BTAP homepage or their Tokyo Art Beat listing.
I’m now back in Tokyo, taking in the whirlwind of activity that was the last ten days in New York.
When comparing the New York and Tokyo art scenes, aside from the larger number and size of galleries in New York, the key difference would be how NY has such distinct art areas, be it Chelsea, Soho, the Upper East Side, the Lower East Side or Williamsburg. With so many galleries concentrated into each of these areas, it is so easy to walk from door to door, from street to street, taking in dozens of shows at a time. In ten days I managed to see some sixty or so exhibitions!
Given how dispersed the galleries are in Tokyo, to do the same in here would be a physically exhausting feat, as Craig and I found out when we were doing our research for Art Space Tokyo last year. The pace of the gallery going experience in Tokyo is inherently different: although we marked other nearby galleries on the maps for each of the twelve spaces in AST, visiting these spaces is really about enjoying the charms of the surrounding area rather than just packing in exhibition after exhibition.
I’m pleased to see that Art Space Tokyo is now in Tokyo’s bookshops. Walking around Roppongi yesterday, I found it in the Tsutaya Roppongi Hills bookshop, the Roppongi Hills Art and Design Store in the Mori Art Museum and the SFT Store in the National Art Center. More outlets are listed here.
A place to keep abreast of Art Space Tokyo related news, reviews, events and updates.
Art Space Tokyo is a 272 page guide to the Tokyo art world produced and published by Craig Mod & PRE/POST.
It was originally published in 2008 by Chin Music Press.