Earlier this week, the NADiff art bookstore, which vacated its Omotesando premises last summer, finally reopened its doors in Ebisu. The new building also houses three galleries — Magical Artroom, G/P Gallery and Art Jam Contemporary — as well as a new bar/café, Magic Room. I posted a photo report of the extremely crowded opening party here, on Tokyo Art Beat.
This is the latest chapter in Tokyo’s ongoing series of gallery relocations of the past six months. The building will house Nadiff bookshop, Magical Artroom and G/P Gallery.
Nadiff, Tokyo’s number one art bookshop, left its main premises in Omotesando last summer, and since then has been running only its museum shop outlets. The Roppongi gallery building closed in February this year, forcing its occupants to find new locations throughout the city, and news spread that Magical Artroom would be joining Nadiff in Ebisu. However, the opening date for this new building has been repeatedly postponed since then.
Magical Artroom was previously operated by a collective of Tokyo art world figures — collector and psychiatrist Satoshi Okada, art critic Kentaro Ichihara, and editor Shigeo Goto, with Haruka Ito running the office. Now, Haruka Ito is running the gallery, with Satoshi Okada as president and Masami Shiraishi (director of SCAI The Bathhouse) as a professional adviser. The former directors will also remain as advisers.
Shigeo Goto also announced recently that he will also be opening his own photography gallery in the same building, called G/P Gallery.
The new building will open on July 7, 7pm.
On Sunday, I made two great discoveries. Taka Ishii Gallery was holding a music event in the name of the gallery’s magazine ‘Fun Palace’ at the Jun Aoki-designed concert hall “sonorium” in Eifukucho.
I had never heard of the sonorium before, so it was a fantastic surprise to walk into such a serene, white, chapel-like space, nestled into a residential area. If it were a gallery, there is no doubt that it would have been featured in Art Space Tokyo. Anyone want to make Music Space Tokyo?
Throughout Sunday afternoon, a listening session was held for a recording of Morton Feldman’s composition String Quartet No.2. As it was being played in its full six-hour length, visitors were allowed to come and go as they pleased, and I arrived for the last hour. While I enjoyed Feldman’s minimal musings enough, it was really the following live performance by Swedish musician David Wenngren (aka “Library Tapes") that was so breathtaking.
Wenngren combines light, meditative piano chords and melodies with the hissing and humming static of field recordings. Against this gentle white noise, uplifting sweeps of strings work their way into his compositions — the perfect soundtrack for the pouring rain outside. You can hear plenty of sample tracks on his MySpace and Virb.com pages. I also recommend that any music and architecture lovers in Tokyo check out the sonorium.
‘Fun Palace’ is also an interesting bilingual journal of articles and interviews relating to contemporary art in its broadest sense, transcending genres. You can pick up the first issue at Taka Ishii Gallery, and the second issue, which will focus on dance, is due to be released this summer.
It’s not often that you get to experience the smell of a new subway station, or feel happy to miss several trains while you wander around the platform staring at the architecture. Beijing will be unveiling its new subway lines for the Olympics in a couple of months, but right now, the Fukutoshin Line, opened in Tokyo over the weekend, is the world’s newest.
Designed to alleviate rush hour congestion on the western edge of the JR Yamanote Line, it runs from Shibuya up to Ikebukuro, and then up into Saitama Prefecture. In 2012 the current Shibuya terminus will connect to the Tokyu Toyoko Line, making it much easier to move between Saitama and Kanagawa prefectures.
The Shibuya Station end of the Fukutoshin Line has been designed by the master of concrete architecture Tadao Ando, who has integrated a large, vaulted ovoid structure into the center of the station — dubbed an “underground spaceship” — which makes for both a striking journey to and from the platforms, and allows for the free flow of air in and out of the station. Needing no fans for circulation, this is the world’s first naturally ventilated subway station.
Meanwhile, earlier this year the concourse between the JR Yamanote Line and the Inokashira Line was chosen as the permanent location for Taro Okamoto’s 30 meter-long mural The Myth of Tomorrow. The work has had something of a fraught history, detailed here on Tokyo Art Beat, and will finally settle into its permanent home in Shibuya in 2011.
Architectural unit assistant, run by Megumi Matsubara and Hiroi Ariyama, have started to hold a series of exhibitions titled “Absent City”. The first installment is being held at their studio space in Hatsudai, named “gallery within assistant” for these exhibitions.
The exhibition is presented as a memoir of Tokyo as an “absent” space that doesn’t exist. Seven portraits have been taken on the streets of Tokyo, and recordings of conversations with each of these people are being broadcast through the gallery. With the handheld radio you are given at the entrance, the soundtrack to this exhibition shifts from white noise to clarity and back again as you move towards and away from the images. In the middle of the room is a table inside of which is an elaborately constructed, abstract miniature of a city, which you are only able to peer at through a set of prisms and peepholes.
The show ends June 12 (TAB details here), but there are others planned, and as soon as news of the next one comes in, it will be announced on this blog.
For anyone in Paris, it’s worth noting that assistant are the people behind the “Galerie des Galeries” exhibition space currently installed in Galeries Lafayette.
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Art Space Tokyo is a 272 page guide to the Tokyo art world published by Chin Music Press.